Well, this really isn’t new. I shot this about three years ago. I was testing a process that my students at the Ellington School of the Arts were about to embark on.  We were working on a project with the National Portrait Gallery here in Washington, DC, commemorating the photographer Gordon Parks. The students were to use a 4×5 view camera to photograph their family, then digitize the negative to make 11×14 fine art pigment prints. I needed to work out all the bugs so this would go as smooth as possible

A newly rendered Self Portrait

While the students loved the magic & professionalism of working with the view camera and the studio lights, they found the process slow, because of all the camera prep before the actual shot is made. Yet, it all worked out just fine. The process slowed them down enough to consider what they were doing, instead of their usual joy ride approach in making photographs.

OK, back to me! We were using a Calumet Cambo 4×5 camera, Rodenstock  150mm f/5.6 lens and Polaroid PN/55 film.  For the lighting we used Calumet Travelite 750 monolights with a large 36″ 48″ Chimera softbox. I used a 16″ cable release for  triggering the exposures.

The reason for this image to be labeled as new is because I needed a head shot for a brochure that the Panasonic Digital Photo Academy is producing.  I sent them the one I normally use, which looks like an ink rendering, but thought I’d look at the others that came from that session. Well, during that session I shot with a Nikon  and forgot about those 4×5 shots I made. So, it now they looked pretty fresh, snarl and all! Since I’ve been playing around with NIK Color Efex Pro, I opened it up in Photoshop to see what I could come up with. I like the look of  the Pastel sub-filter. It reminded me of a Cyanotype, and I went with it. The frame on the image is the natural residue from the Polaroid PN/55.