Glyphs of Time :: a blog by jarvis grant

January 22, 2012

Technical Innovation and the Basics: Part 1

Filed under: Digital Tech,Innovation,Observations,Photography — Tags: , — Jarvo @ 2:43 pm

I was recently reading about the new Fujifilm X-Pro1 camera. This camera looks to be the “professional” version of Fujifilm X100.  I was very excited about the X100 even though I wasn’t in the market for a new camera. What excited  me about the X100 was the fact that this camera looked great! Any camera with a shutter speed dial and the f/stops on the lens barrel has got my vote. At least for now. When I saw the first X100 reviews, the camera seemed wanting. Then I thought about the criticism. Beyond the usual bugs found in first generation technology, the reviewer spoke about the “handling” of the camera. The photos were “blurry”. Not out of focus, but blurry. In the days of film cameras, blurry pictures were not the fault of the camera. It was then I realized, “This guy is new to photography, and has only handled digital cameras.

A few years ago I heard a very interesting comment from a pro shooter. He said that, “All digital cameras are point & shoot.” The comment was referencing a statement made by another photographer about difference in “quality”  (and probably more so, price) between pro cameras and amateur ones. The down play of cheaper/amateur cameras was that , “They to everything for you, not like a real (pricey/pro) camera. With the statement that “all” digital cameras are point and shoot cameras, this means that if a photographer actually understands the concepts of the photograph’s relationship to exposure and the situation, they can “program” the pricey camera to simply perform to the needs of any given situation. This allows the photographer to concentrate on getting the most compelling image, without concerning themselves with mundane technicalities of f/stops and shutter speeds.

The point of this little rant is that, when the reviewer said the camera produced blurry or soft photos, he blamed the camera, not his  technique. Film cameras had no “Image stabilization”. That was your job as photographer. You had to practice handling your camera. What’s the slowest speed I can get away with and have a sharp image? How fast can my thumb advance the film? How quickly can I load the camera (with film!)? These were basic issues and skills, back in the day. You were carful, not carefree. You looked hard, immersed yourself in the scene or situation, and you took your time without wasting any. The innovations in digital photography addresses these issues by allowing you to perform these skills with greater ease. Hey it’s great to be able to carry the equivalent of a brick of film (20 rolls) in your pocket! Yet, when photographers do not address the basic elements of photography, then the cameras and Fotoshop are taking and making the pictures.

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December 22, 2011

Pledge Your Support for Citizens We

Filed under: Innovation,Inspiration,Observations,Photography,Video — Tags: , — Jarvo @ 3:53 pm

The Citizens We Project is a photographic portrait of the people in the neighborhoods of Adams Morgan & Mt. Pleasant in Washington, DC. The project consist of a collection of twenty to thirty 24 x 36 inch Black & White prints. These photographs will be exhibited throughout the neighborhood in storefronts and public places. They will also be exhibited as a collection of images in a traditional and online galleries. My project proposal request is for $5000.00. These funds will be used to acquire a 24 inch, wide format ink jet photographic printer and the exhibition support materials

The project is being hosted at United States Artist Projects website:

http://bit.ly/Citizens-We

The Citizens We Project goal of $5000 must be reached by January 9, 2012
Go there to learn more about the project and support the project by pledging a tax deductible donation in any amount. Also, for your pledge of support there are several wonderful gifts. They are my way of saying Thank You for supporting me and helping to keep art alive in our community. Your tax deductible contribution in support of Citizens We will go a long way in affirming the powerful role multiculturalism plays in fostering a stronger and more beneficial society for all its citizens.

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September 21, 2011

Nikon 1 System: Has Nikon finally got small right?

 Nikon1 Series

The Nikon1 Series Family of Products

Nikon has introduced the Nikon 1  camera system. Not to be out done by Olympus, Panasonic, and Ricoh, Nikon has produced a small sensor, mirrorless, interchangeable lens camera system. These cameras are targeting photography enthusiast who want to actually learn photography and step-up from their point & shoot camera. The system is also trying to woo pro photographers who want a serious camera with interchangeable lens that don’t  weigh a ton and are small & agile.

First there’s the Nikon J1. This 10 megapixel camera is design with the photo enthusiast in mind.  It’s got a bunch of pro features, yet its interface is closer to the familiar point & shoot model this photographer may be used to. It also has a couple of “dangerous” features! I consider a feature dangerous when the camera ports to be smarter than the human being using it. One such feature is , Smart Photo Selector. If you’re too dumb to choose which shot is best, the camera will make the selection for you! The subject’s head is down or turned from the lens? Hmmm…that must be a mistake! Let’s (the camera) delete it. Nikon marketing experts say, “With a single touch using Smart Photo Selector there are no more imperfect photos.” Yeah, right. Well, if you want it comes in different colors, like pink, with lenses to match!

Nikon 1 J1

Nikon 1 J1 in Red

Ok, next is the big brother , the Nikon 1 V1. Again this is a 10 megapixel camera with a few extra “pro” features. It has an electronic viewfinder, a hot shoe, Nikon i-TTL flash metering utilizing the Nikon Creative Lighting System, with both an electronic & mechanical shutter with speeds as low as 30 seconds, and the option of adding an external mic when shooting HD video. It looks to be quite interesting. At least on paper. Only comes in black, thank God!

Both cameras have the new Nikon CX sensor. This sensor is smaller that the Nikon DX sensor and the four-thirds senor. Yet, it’s bigger than the normal point & shoot camera sensors. This should up the ante on image quality without packing in a bunch of false megapixel numbers. At least for the time being. Both cameras also shoot HD 1920 X 1080/60i video with a HDMI output, but no HDMI cable in the box. They also come with Nikon’s low end viewer software which can “edit” stills and video. Hey Nikon you could have done a little better here. Like offer Adobe Photoshop/Premier Elements. Or offer a stand alone computer capture module. Oh well!

Nikon V1

Nikon 1 V1 in Basic Black

Still there’s one feature these cameras have that I think is really cool, The Motion Snapshot. With the Motion Snapshot, when you take a picture it captures a tiny video. It reminds of Star Trek Voyager, where they had digital picture frames that had just a little bit of motion to them. Pretty slick!

Nikon CX  Sensor

The orange rectangle is the Nikon CX Sensor

Now, I’m a Nikon shooter. I first real camera was a 1965 Nikon F. I’ve always bought Nikon, until my first point & shoot Nikon. It was a piece of junk. Than I bought a second one a bit higher on the food chain, it was a piece of crap too. Both cameras just simply fell apart From that I said “Never again!”.  My final point & shoot 35mm camera was a Leica Mini-Lux Zoom. Now that was (and still is) a camera! Then I experimented. I bought some Nikon CoolPix for my school (Ellington School of the Arts in DC). Was not impressed. So now, I’m looking for an interchangeable small digital camera and this Nikon1  V1 could be it. But if Nikon has come up with this, Canon can not be far behind. Both Nikon and Canon, who are the traditional Camera Giants, are still playing technology catch-up with, the new kids on the block, Olympus (who’s not that new!), Panasonic, Sony and Ricoh. Hey, things are starting to get interesting!

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August 16, 2011

Adobe: Contemplating the Muse

Adobe Muse web site homepage

Adobe Muse web site homepage

Adobe has released the beta of their new web design application, Muse. This new Adobe app is yet another in its line of web design sans-code tools. Muse is totted to be a tool to, “Create websites as easily as you create layouts for print. You can design and publish original HTML pages to the latest web standards without writing code”. Similar to Adobe Catalyst for designing interactive Flash design without using ActionScript, and Adobe Edge  for designing content & animation using HTML 5 , Javascript, and CSS.  Muse is definitely worth a look see. In fact the whole Adobe Muse site was created using Muse. One other interesting note is that Muse is built upon Adobe’s AIR platform.

With all of this techno wizardry, there is something different with Adobe Muse brings to the party. This little piece of Adobe real estate, while still in beta, presents on its web site a tab for Pricing. What the tab delivers to you is Adobe’s new software subscription model. Instead of the usual flat rate, it offers you the choice of the “Month to Month Plan” or the “Yearly Plan”.  Now this isn’t new that new. Adobe has been pushing this idea for several months. Actual since the “release” of Creative Suite CS5.5. So, you don’t want to shell out $600 for Photoshop? Okay, you can rent it for $30 a month, which puts you a little over the “upgrade” pricing. This idea is not going away, and for some users it does make since. You’re only using Photoshop, InDesign, and Acrobat Pro in the Creative Suite? That’s about $30 bucks a month on the Year Plan OR $50 bucks Month to Month. Only need AfterEffects for a few months? That’s about $70 per month.Still if you do the math you’re a little better off buying the box. Still, it is a option, and once more people buy into the idea of software subscription, the prices should drop.

So what Adobe Muse offers to designers is a way to design for mobile devices like smartphones and tablets, without mucking around with code. The interesting thing is that tools like this are actually training platforms too. As you begin to troubleshoot problems with your designs (yes believe it or not things can go wrong with software!) you’ll start picking up a little code handling here and there. Not a lot, but enough to understand what happens on the developer side of the equation. Now if there was only a tool for developers so they could understand that design is easy only after a designer creates a design!

 

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June 23, 2011

Coming Soon to Adobe Labs: Adobe Edge

Filed under: Digital Tech,Innovation,Video — Tags: , , — Jarvo @ 5:16 pm

Adobe is working on yet another tool designed to create content for mobile devices., Adobe Edge. Edge will be able to create Flash-like content or animations using javascript, HTML 5, and CSS. After Apple thumbed their noses at Adobe by not allowing iPhones and the iPads to support Flash content. I guess Apple thought that developers would drop Adobe & Microsoft tools and come running to Applescript because the iPad was so cool and popular. What were they thinking. Did they really think that Adobe would simply hang their head down, kick the dirt, and go home? Or, was this some evil ploy to get Adobe to build a tool that they were simply to lazy or incapable of building themselves?

At any rate Adobe is continuing to forge ahead with developing new tools for the creative pros to create interactive content for mobile devices. You can find out more about Adobe Edge at the Adobe Labs web site and the Adobe Edge Facebook page.

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February 10, 2011

The Fujifilm FinePix X100: Back to the Future

The Fujifilms FinePix X100 Camera

Is the X100 the shape of things to come?

I think that the professional digital photography industry is starting to settle down. In the beginning just being able to capture an image was amazing stuff. Back in 1991, the first Kodak cameras the DCS 100, were mangled Nikon F3 bodies attached to a humongous contraption were all of its computer components lived.

Kodak DCS 420 body

The 1994 Kodak DCS 420 was a lot of camera for 1.2 megapixels!

Quite a monster, considering it was 1.2 megapixels! Since that time the DSLR has evolved into a tool of more manageable size, speed, and power. The typical pro DSLR body is a grand configuration of buttons and wheels, digital readouts of text, numbers, graphs, and images. While it looks kinda like a camera, I’m still reminded of seeing Dean Collins give a presentation at Photo Expo East in the mid 90’s. He had a “high-end” Foveon digital camera which looked like a laptop with a lens on it. Hey, in essence, that’s what a digital camera is , a computer attached to a lens.

This year Fujifilm has announced a camera that has shaken things up a bit. They have introduced a camera with mechanical parts. A camera with a shutter speed dial on the body, and an f/stop ring on the lens. It looks like a rangefinder, but it’s not. It looks expensive, but it’s not, relative speaking that is. It is the FinePix X100. It actually reminds me of my very first camera, the Petri Racer, but looks more like a Leica M3. Leica also as a mechanical looking camera that’s less than $2000, the Leica X1. The X1 doesn’t have its f/stops on the lens, but on a dial on the body. The X1 is a good looking camera, very sleek. It maintains its heritage and looks much like the camera Oskar Barnack created back in 1914 and introduced to the public in 1925 Still the X100 has got its “retro” down.

I received an email today from Fujifilm releasing the first “official” sample images created by the X100. As usual these aren’t great pieces of photographic art, but they do show off the technical aspects of this 12 megapixel camera. I won’t bore you with the technical specs, you can check out the preview of the camera at Digital Photo Review. The thing that excites me about this camera is that, well, it’s a camera. I love cameras and their gadgets. The X100 takes me back to that time were the magic of photography had embraced me. I time were all I needed to know was shown to me at a glance without having to turn the camera on. Yet the X100 will give you that warm fuzzy feeling plus all of the techno stuff one feels they must have with a modern camera.

This was a bold, brave move on the part of Fujifilm. They know there are photographers out there who know what they’re doing. And by that I mean photographers who love making images, or maybe I should say , love taking shots! Great shots with a minimal equipment complement. This camera doesn’t seem as “pocketable” like my Panasonic LX3, but it has a bigger APS-C CMOS sensor. I don’t any other compact camera has a sensor as big except for the Leica X, that is not a 4/3 camera, which is smaller than the APS sensor. So it’s closer to my Nikon D200 DSLR with out the bulk. A good “take everywhere” camera. I hope that this will be a new trend for camera manufactures, making small “serious” cameras.

Slideshow:
Fullscreen:

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May 2, 2010

Adobe Labs – Adobe Lens Profile Creator

Filed under: Digital Tech,Innovation,Inspiration,Photography,Photoshop — Jarvo @ 3:03 pm
Adobe Labs Lens Profiler

Adobe Labs Lens Profile Creator

This is an interesting new technology from Adobe Labs. It allows for the profiling of camera lenses. In Photoshop CS5 and Lightroom, you have the ability to correct for camera “distortion”. Now in the old days, I considered Lens distortion a “visual effect” ! But now a days it seems there is a quest for “perfection”

Now Adobe has the tendency to only speck in terms of their latest & greatest software releases, like CS5. But since they also mention Lightroom & Camera Raw it “may” work with the latest update Photoshop CS4 since Camera Raw and Lightroom share the same Raw conversion engine.

The interesting part of all this is that Adobe is asking its user community to send them their .LCP(lens correction profiles) files that they create.

This is what it does in Photoshop CS5

Adobe Labs – Adobe Lens Profile Creator.

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April 26, 2010

A Voice of Light in the Darkness

Filed under: Innovation,Inspiration,Observations,Photography — Jarvo @ 1:33 pm

A couple of weeks ago I commented on an article that was in the NY Times about the Death of Photography as a Career Path. I’ve just read an article by Selina Maitreya on the same topic. Man what a difference! In Selina’s post, she speaks to the Life of Assignment Phototgraphy. In it she cites certain Truths, from her perspective. One Truths is, Negative loud voices are ever present.

I think that no matter who you are or what you are doing these days, you must work very hard to rally against the every present clutter and clamerings of these Negative Voices. The message of “Abandon All Hope” or that “Greed is Never Going Away, so Get Your Share” or that “There is only one Group that the Voice of  Truth Belongs To”. So in that we folks how are Creative People must not lose sight of this, and be prepared to provide a message of Hope for everyone. So, get out there and show that portfolio!

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April 5, 2010

Adobe Labs – Adobe Photoshop Lightroom 3

Filed under: Digital Tech,Innovation,Photography,Photoshop — Jarvo @ 8:48 pm

Get the latest release of Lightroom 3 Beta 2
Lightroom 3 Beta 2
 Hey folks, Adobe is really up to something! Get this new release and checkout the resources over at Photoshop News, here

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March 19, 2010

The New Zone System…

Brooks JensenBrooks Jensen is probably one of the most progressive, innovative photography communicator/educators out there. Back in the last century (!) Brooks was telling photographer not to fall prey to the gallery system. He has set up his own publishing house, that creates “Folios” of photographers work for sell. Not only has he done that, he actually instructs photographers & artists how to do the same. There are no secrets with this guy! I have passed along his ‘white papers” and podcasts to fellow artist. When ever I had a question, I could send him an email, and he would answer.

I was just at his website, Lenswork,  & one of his three blogs. For photographers, this article on the “New Zone Systems” is definitely worth a read. Click here to check it out.

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