Glyphs of Time :: a blog by jarvis grant

February 7, 2013

The 2013 Mobile Photography Awards and Me

Sunflower #7

Sunflower from the atrium courtyard, National Museum of American Art, ©Jarvis Grant, 2012

In the summer of 2012 I found a new venue of expression, phone camera. As stated in my last blog post, I had always been a camera snob. One reason was I saw so much poor camera phones photography. I have owned phones that had cameras, but never used them beyond visual note taking. When I upgraded to my EVO 4G LTE, with its 8 megapixel camera, the need to investigate its possibilities was very strong.

When I first began using the device, I always had my Panasonic LX-3 with me, and I would “shoot behind” anything I did with the EVO with the LX-3. The Panasonic images were always better in my mind. When reviewing the photos, the reason I felt the LX-3 pictures were better was because I put more into them. So, to really see that the phone’s camera could do, I must not take the LX-3 with me anymore, which forced me to only use the EVO. That was scary at first but necessary if I wanted to learn how to use the new device.

This was good, but I found myself fiddling with the device a lot. My daughter told me about Instagram, and I installed the app. In fact Instagram was the first app I actually installed on the phone, which in itself opened up a whole new word in mobile computing. But that’s another story. Okay, so what Instagram provided was fiddle free photography. While shooting with a square frame took some getting used to again, it was a lot faster than shooting with a twin lens reflex. Then there was the idea of processing the image with Instagram’s filters. They were limited for sure, and I found myself still reviewing the pictures and processing them once I got home. Then one day as I was riding the bus, I was thinking about a couple of images I’d just taken. I took out the phone and began experimenting with the images. It was then I realized I could capture an image, process it and publish it, all while I was out and about. Wow, “mobile photography”! Okay I get it.

Yet, mobile photography was also offering something more. Something I had not felt since my days as an art student and new photographer. Freedom! I regained the freedom to shoot whatever I wanted too and felt like shooting.  As a seasoned photographer I do lot of analytics while making photographs. I was finding that with the phone and all its limitations, I was much lighter, with fewer calculations, rules, and perceived obligations running through my head. When I looked up two months after installing Instagram I had hundreds of new images, with a couple of hundred posted on Instagram. For me, that was very different.

With my newly found mobile photography enthusiasm, I began writing about it in my Examiner.com column, which is the reason for the long gap between blog posts. Plus I entered a few images in the Mobile Photography Awards competition I saw on the Digital Photography Review website. Well last week I discovered in a Tweet from Jack Hollingsworth (@photojack) that the winners of the Mobile Photography Awards had been posted on their website. So I went right over to see if I placed. Well the images I thought were strong in their respective categories were not there. Bummer! When I got to Plants/Flowers category,and saw the stunning first prize wining entry  by Patrick Shourds, I thought, “Oh man, these look great, oh well”! But in the Honorable Mentions group was my entry, Purple Tears, and I was shocked and surprised. Plus I felt pretty damn good.

Here are the other images I entered into competition plus the link to the Mobile Photography Award winners page.

Slideshow:
Fullscreen:

 

 
Share

August 15, 2012

Mobile Photography: Confessions of a Camera Snob

Le Tombeau de Daguerre

Le Tombeau de Daguerre ©Jarvis Grant

Photographic technology has always spurred controversy in the art world. First here was photography itself. When photography first came on the scene in 1839, it was supposed to bring the death of painting, drawing, and art as we know it.  Now anybody could create an image. What was a true artist to do? Then film came along and replaced big cameras and glass plates. Now anybody could create an image! What was a real photographer to do? Then came portable 35mm roll film cameras you could fit in your pocket. They replaced large format 4×5 sheet film cameras. What was a real photographer to do? Next came color photography, how unnatural was that? Real photographs are made in black & white. Then came Polaroid’s instant photography. Instant photography no darkroom? Hell, now anybody can take a picture without even waiting a week to get their pictures back. Then came digital photography, replacing film. Hey, only real photos can be made with film cameras. Now anybody can take a good picture by “fixing” it in Photoshop. What’s a real photographer to do?

Well now it seems that photo tech has arrived at a new  paradigm, the mobile phone–camera.  With this new development in photo tech, you don’t even need a camera! What’s a real photographer to do?! For the past seven years, phone cameras have evolved from a dinky two megapixel joke to a decent eight megapixel creative tool.  Phone cameras have grown from novelty toys to the voice of people toppling dictatorial requiems around the world.  Now that almost everybody is carrying a video camera and a still camera in their pocket, web services like Faop for selling iPhone images as stock and ScoopShot as spot news cuts into the stock photography and photojournalism business model for many established photographers.

Now, I have been a long time camera snob when it comes to mobile photography and photography in general.  When all the hype about the iPhone came out I was a skeptic. Then when all of the accessory  and equipment hype came out, I thought there were a lot of folks drinking the Apple Kool-Aid! I mean why would any body want to put a $1000 plus Nikon or Canon DSLR lens on an iPhone? What’s the point. Get a camera! It’ll be easier to handle, give you more control, and will possible be smaller than having a five inch DSLR lens dangling from an iPhone. And don’t even mention an iPad tablet!

However, this past winter I went to a NAPP event at the Washington Convention Center and ran into my friend, classmate, and fellow creative pro Lorenzo Wilkins. He casually showed me some pictures from a recent trip he made on his iPhone. Man, I was blown away! Lorenzo’s images looked really good. At that moment I got the whole iPhone portfolio thing. I’ve seen lots of iPhone pics but was never really that impressed. I always felt people were showing off the phone not their images.

About a month ago I was forced to upgrade my old HTC Diamond Touch to a HTC EVO 4G LTE. The Touch Diamond finally died after 5 years of good service, but I never really used the Touch’s camera. It was okay, but not for taking real photos. I only used its 3 megapixel camera for visual note taking.  Then my daughter, Maya,  told me about Instagram and how she was using it to get her digital painting out into the world. So, I downloaded the app and started to play around with it. It was quite intriguing. Once I got used to it and my phone’s camera, I began to come up with a couple of good shots. Then I just naturally stated to see how to better manipulate the camera’s controls, along with finding photo apps that allowed more image processing contols beyond Instagram’s filter set.

So now I’m at the point were I believe that phone-cams can be creative professional tools. I still believe that a real camera will offer up better results faster that a phone-cam. I just don’t dismiss phone-cams as merely toys for people who are too cheap or lazy to use a traditional camera. I now stand on the opposite side of the mobile photography argument. Well, at least I’m beginning to see the other side’s perspective.

Slideshow:
Fullscreen:
 
Share

September 14, 2011

Amtrak Northeast Regional: Part 1

Amtrak Northeast Regional Map

My route from Washington, DC Union Station to New Rochelle, NY.

I’ve been traveling on Amtrak since I was in college in the early 1970s. During those days the train only stopped at New York Penn Station. Now Amtrak’s Northeast Regional,  stops a little closer to my hometown of Mt. Vernon, NY at New Rochelle, NY. So, for the past three years I’ve been going up to New York on a more regular bases, about 5 times a year. Checking in on my Mom and my daughter, Maya. Now, Maya grew up in DC, but has recently moved up to New York to live her dream of being an artist and helping her Grandma. She’s really making a go of it and is doing better at it then in DC. I find that interesting because DC is a smaller creative market than New York, and a bit easier to break into. But New York is more progressive and a real art town.

Okay, now during all those years of riding the train, I would a photograph here and there, no big deal. Spent most of the ride sleeping. During the past three years I got a really nice point & shoot digital camera, the Panasonic Lumix LX3.  The camera is small, fast and pocketable with a wide angle f/2.0 Leica zoom lens. This camera allows me to shoot more pictures, about the equivalent of 7 rolls of film, on a two gigabyte memory card. I love it. Very surprised with the images I’ve been producing with during my mini train journeys.  I also carry an extra memory card and battery. That’s almost a brick of film, for those who remember film bricks!

Now a few things have been happening. The first is that I’ve been becoming more familiar with the scenic’s of the trip. Though I’ve become familiar with the views, I’m not familiar  enough to setup and be ready to take a shot. A lot is still hit and miss. A little more miss than hit it turns out! Still I’m learning how to get better shots. After all, I can’t ask the conductor to stop the train or slow it down. So I’ve worked out a methodology for shooting. It goes something like this. I tend to anticipate a photo. As we approach the scene, I’ll ten decide to push the shutter or not. If not and I feel I should have, that composition I missed will go into my mental archive of possibilities. As this archive grows, the potential of making a good shot increases. So I’ll miss “that” shot, but the possibility of something similar appearing again down the track or during another trip increases.

Conductor on the Amtrak Northeast Regional

Conductor on the Amtrak Northeast Regional, leaving New Rochelle, NY on to Boston. ©Jarvis Grant

The next thing that happens when photographing out the window is camera handling. When a stretch of scenery seems promising I turn the camera on so it will be ready to go. Hey the camera is fast, but it’s still a point & shoot. When I firat point the camera out the window, it takes the sensor/light meter about three seconds to adjust to the change of light and become operable, and another 2-3 seconds to focus (if I’m lucky). A lot can pass by in 6 seconds as the train speeds on. I also set the camera to “Burst Mode” so it can keep taking pictures and give be more options of a scene. The downside of Burst Mode, is the camera takes time to process those photos. During that processing time the camera can’t take any new images. Finally, if it’s bright, I put the camera on “Program” so I don’t have to think about exposure and other camera stuff. As it gets darker, I go to Manual Mode or Shutter Priority. More techno thinking and a little less esthetic thinking. Still, it’s all good fun, which is the bottom line along with having new photos.

Within this body of work there are a few thematic series. Below are a few sample images. I’m still working all these images out, sifting and sorting them out. So, in future post, I’ll share what I’ve been doing with these photos as I continue to ride the rails on the Northeast Regional.

Crossing the Bay between Philly and Wilmington

Crossing the Bay between Philly and Wilmington. ©Jarvis Grant

 

Traveler checking the time board at Newark, NJ Penn Station. ©Jarvis Grant

Traveler checking the time board at Newark, NJ Penn Station. ©Jarvis Grant

 

New Rochelle Station at Twilight. ©Jarvis Grant

New Rochelle Station at Twilight. ©Jarvis Grant

 
Share